2023
Sreshta Rit Premnath: Grave/Grove, review by Elizabeth Rooklidge, CAA Reviews
2022
Sreshta Rit Premnath on finding hope at the margins, interview by Murtaza Vali, Artforum
Sreshta Rit Premnath’s Meditations on Makeshift Sites, review by Jackson Davidow, Frieze
Sreshta Rit Premnath, review by by Suzanne Volmer, Sculpture Magazine
Being, Becoming, Belonging review by Pia Singh, Art India
2021
At MIT List, a sculptor finds resilience in inhospitable places, Pamela Reynolds, WBUR Boston
The marginalization of weeds, Victoria Dzieciol, The Tech, Cambridge
Twelve Shows to Know About That Open This October, Art in America
5 Art Gallery Shows to See Right Now, Aruna D’Souza, New York Times
A Subtle Metaphor for Dubai: ‘The Distance from Here’, Rahel Aima, Art Review
Zone of Nonbeing, Alpesh Kantilal Patel, catalog essay for The Protest and the Recuperation, Wallach Art Gallery
Art and Efficacy, Sreshta Rit Premnath, catalog essay for The Protest and the Recuperation, Wallach Art Gallery
2019
Flopping, Slumping Figures Suggest Migrants Caught Between World, Kevin Griffin, Vancouver Sun
Contingent Encounter, Interview by Sohrab Mohebbi, BOMB Magazine
Must I be a POC, Race and Class in the Age of Trump Edited by Avram Alpert, ASAP/J
2018
The Chronotopography of Mountains, Anywhere and Elsewhere, Edited by Simone Douglas and Sean Lowry
2017
Sreshta Rit Premnath on Identity and Space, alphasixty review by Emily Nimptsch
2016
Critique as Unlearning, Eflux Conversations
A Crisis of Context, 2016 Queens International Catalog, Queens Museum
Art Dubai: happiness and human rights, Financial Times review by Rachel Spence
Art Dubai’s 10th Edition Represents Art’s Underreported Voices by Grace Banks, Forbes
Interview with Artists of Art Dubai Commissions 2016, Art Asia Pacific interview by Anabelle de Gersigny
Nominal Real(i)ty, Silicone Plateau, Tara Kelton and Maria Laura Ghidini Eds.
The Morning After, M/E/A/N/I/N/G: The Final Issue, Mira Schor and Susan Bee Eds.
2015
After Midnight, New York Times Review by Holland Cotter
After Midnight, Wall Street Journal Review by Michael Fitzgerald
2014
Sreshta Rit Premnath, Artforum Critic’s Pick by Murtaza Vali
The Capricious Sky, Collaboration with Liz Park for ICA Philadelphia
Art After The End Of Philosophy Part II: Sreshta Rit Premnath’s Storey’s End, by Abbra Kotlarczyk for Carets and Sticks
Public Space: A Generative Conflict, by Kristine Jærn Pilgaard in Common Spaces published by The Whitney Museum of American Art
Common Spaces, New York Times review by Holland Cotter
The “Plot” thickens at The Bindery Projects, KnightBlog review by Susannah Schouweiler
2013
Straying Around, Time Out Bengaluru by Akhila Seetharaman
2012
Sreshta Rit Premnath and Matthew Metzger, Artforum Critic’s Pick by Julia Langbein
New Currents, Art Asia Pacific, April 2012
Sreshta Rit Premnath, by Georgina Maddox, The Matter Within: New Contemporary Art from India Catalog
2011
Sreshta Rit Premnath at Galerie Nordenhake, Contemporary Art Daily, Dec 2011
Sreshta Rit Premnath, Platform Magazine
5 Questions for Contemporary Practice with Sreshta Rit Premnath, Art 21 interview by Thom Donovan
La ‘Ricerca’ di Sreshta Rit Premnath, Exibart
2010
The Lion’s Share, Art India review by Marta Jakimowicz
Beast a Man Can Get, Time Out Bangaluru preview by Jaideep Sen
Aspect Blindness: Arnold Kemp and Sreshta Rit Premnath, Art 21 article by by Thom Donovan
Between Forgetting and Remembering, Muse review by by Koon Yee-wan
Spectral Evidence, Artforum.com Critic’s Pick by Doretta Lau
Spectral Narrative in Hong Kong, Art Slant review byby Robin Peckham
2009
Younger Than Jesus: Artist Directory, The New Museum
Once in a Blue Moon, Art India review by Zehra Jumabhoy
Back, Forth and Round About, Evil Monito review by David Rothenberg.
To Err is Perfect, Artlurker review by David Rohn
Contemporary Art From India: Subcontinental Subconscious, Canadian Art
2008
Black Box Flash Art review by Heidi Fichtner
Collapse of Certainty, The Deccan Herald review by Marta Jakimovicz
2007
Spectral Evidence, The New York Times review by Holland Cotter
Spectral Evidence, Artforum Critic’s Pick by Lori Cole
Shifter Magazine, International Exchange for Poetic Invention review by Linh Dinh
The Museum of Contextual Amputations, Broken Pencil review